Recent readerly recommendations
Posted by Ashley on March 9th, 2005As I have about 10 books currently open, I thought I’d privilege you all (hehe) with a short synopsis of some of my current reads and a bit of my opinion; hopefully some may pique your interest. Let me know if you have any questions, etc.
The Marble Faun by Nathaniel Hawthorne –
This is Hawthorne’s last novel (published in 1860; his other Romances were published in the early 1850s) written after residing in Liverpool, England and Rome for a number of years. The novel traces three artists (2 women painters, 1 male sculptor) along with their Italian companion, Donatello, who resembles a statue of a faun (hence the title). The story is as much about art and the ethics of art (the narrator mentions at one point: ‘Let the canvas glow as it may, you must look with the eyes of faith, or its highest excellence escapes you’), mythology and like most Hawthorne novels is concerned with innocence and experience and ultimately questions surrounding the Fall. Don’t be looking for too much interiority in the characters, however it is a beautifully orchestrated novel with lots of light and shadow to ponder. I have since bought his novel, The House of Seven Gables and a collection of his early short stories (having previously only read The Scarlet Letter).
The History of Emily Montague by Frances Brooke —
This book is written by a Canadian woman in 1769 and for its age, is surprisingly accessible as a transatlantic epistolary novel. Whereas the British epistolary novels of the time (such as Clarissa - which I have as yet to read - and Julia de Roubigne - which is also highly recommended) become slightly claustrophobic in the characters’ obsessiveness, Montague retains a certain width (partly because of the topographical width of the landscape of Canada the letter-writers describe) that their British counterparts do not. On one level the book is light-hearted in content concerned with pairing everyone off (a la Jane Austen about 50 years later) while on another level (like its precedent, Pope’s poem “The Rape of the Lock”) maintains a subtle irony in its critique of the current British-Canadian and British-French political relationships as well as social commentary on things such as women’s place in a predominately patriarchal society. It also establishes several tropes that we automatically connect with America: the American Dream, North America as the land of (infinite) progress, and the landscape as sublime. It is quite interesting in its transatlantic crossings; the writers in Canada are quite literally testing out (usually French) theories of social progress and writing to their friends in Britain and so the New World becomes a conversation and something to piece together in a similar manner to the narrative being pieced together by the reader.
Most of the books I read aren’t really of interest to the average reader (being very theoretical/critical), however these two I’ll recommend for easy and informative reading:
From Puritanism to Postmodernism by Richard Ruland and Malcolm Bradbury –
I’ve actually just started reading this book and I find it quite readable and a resource where everything is densely (and yet quite easily) packed in to every sentence. The section on the American Puritans (the only one I’ve read so far) details writings by figures such as Bradford, Winthrop and Cotton Mather while also explaining their significance to what the authors describe as innovative and ‘modern’ characteristic of all American literature. They generalise but in a way that seems to ring true with more detailed synopses.
Dangerous Pilgrimages: Transatlantic Mythologies and the Novel by Malcolm Bradbury — (NB - used at Amazon for under a buck!)
Again quite readable and one that argues for a mutual trade between myths and legends across the Atlantic regarding ‘America’ and ‘Europe’ within literature. Thus looking at American literature through a transatlantic lens, Bradbury exposes the often insular way in which American literature is understood (very nationalistic and exceptionalist) and instead points to ways in which American and Britain are created through fiction. Bradbury starts with early transatlantic novels with Cooper and Irving and discusses Hawthorne, Melville, Twain, James and more modern writers, Stein, Lawrence, Hemingway and Waugh (among others). Highly recommended even for those very familiar with any of these authors, and yet also a great starting point for those who want to know more.